Hokusai illustrates the pilgrims as they move along the edge of the crater
” which has become synonymous with comic
which serve as a bridge between the human and divine worlds
un’inverosimiglianza ottica che rivela l’interesse di Hokusai per le possibilità immaginative dello specchiamento sull’acqua
including famous coastal and mountainous locations: Mount Akiha in the province of Omi
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 99, 1836-1847 sculture Hokusai illustrates the pilgrims asStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New