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recognisable by its patch pockets at the front and back and its sharp crease running down the leg
and revisits Chauncey Hare's protest against the Museum of Modern Art in 1979
en contraste
with a straight
- Black caviar leather belt
LIVRE 'STRANGE HOURS : PHOTOGRAPHY, MEMORY, AND THE LIVES OF ARTISTS' Size:TU recognisable by its patch pocketsPublisher: Aperture In 'Strange Hours: Photography, Memory, and the Lives of Artists', Rebecca Bengal turns her attention to photographers who have defined our relationship to the medium. Through generous essays and interviews, she examines the narrative power of photography, from the radical intimacy of Nan Goldin's New York demimonde to Justine Kurland's photographs of rebellious girls on the road. Bengal draws us closer to pioneering artists and to
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