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zwischen Überfluss und Elend
700 bce • The “Orientalizing” Period
Modedesigner
The twelve-year-old girl grew up to become a formidable personality
the audience can expect at least three hours of entertainment
Harvey Quaytman Film zwischen Überfluss und ElendHarvey Quaytman's interpretation of 1960s Minimalism and Hard edge abstraction culminated in work that swayed between two and three dimensions. The result was sometimes odd but always elegant: arching forms appear like wedged shoehorns within the pictorial space, gently exposing painting's material infrastructure. During the 1970s, Quaytman delved further into abstraction, experimenting with rich, heavy pigments as well as his signature medium, rust.
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