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interweaving North American indie rock with beats and percussion of Haitian Vodou
The first time this album has been issued anywhere outside Africa
but there should also be room for dynamics and melodies
The music glitters and plays - unlike Keith Emerson - only as much notes as needed to get the people on the dance floor
from the Layla album to subsequent multi-platinum efforts like 1974's 461 Ocean Boulevard and 1977's Slowhand
Customer's Copy TSOV-121 interweaving North American indie rock
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