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und später den Reservaten in Uganda in den 60er und 70er Jahren des letzten Jahrhunderts dokumentiert
With essays by guest contributors including American curator Glenn Adamson and senior design curator at the V&A
from which he presents a body of Adams’ work that was largely unknown until now
from the racecourses of Keeneland in Kentucky to the training stables at Newmarket
Some of these visitors have become part-time residents
TAKE LAMPSHADE Color:BLUE und später den Reservaten inThe classic icon of the bedside lamp is revisited by Kartell's technology to become an industrial product in a variety of color shades. The shape of Take is the result of the joining of two specular parts: two flat, rectangular sheets which, from being two dimensional at the centre, take on the shape and volume of a "semi lamp". The internal pleating of the diffuser embellishes the object, creating, when lit, a play of reflections.
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