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You Don't Make a Masterpiece, You Survive One - Maurizio Cattelan housing Jürgen Teller

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Description

Jürgen Teller

and merge economical as well as aesthetic issues

with an updated selection of artists and five new chapters covering topics such as: clothing

with a sculptural approach to the book as a reflection of the bodily changes

She argues that Kraus’s 1997 I Love Dick marked the emergence of a newly performative

You Don't Make a Masterpiece, You Survive One - Maurizio Cattelan housing Jürgen TellerOn the occasion of Seasons, Maurizio Cattelans exhibition at GAMeC, art historian Lisa Parola, investigates how contemporary art can redefine the idea of the monument: no longer an immobile place of celebration, but a critical space of removal and transformation, promoting new relationships with both history and the present. Parola reflects on the changing concept of the monument and how cultural institutions choose to deal with layered and sometimes

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