Unlicensed: Bootlegging as Creative Practice music Zehn Jahre nach Lutz Schulenburgs

Zehn Jahre nach Lutz Schulenburgs plötzlichem Tod 2013 blickt Hanna Mittelstädt zurück auf die ersten vierzig Jahre Nautilus

it’s that our collective goals result in five political ‘traps’

Fabio Cherstich

” revels in the vibrant malleability of language and the creative lines that can join art and life

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Unlicensed: Bootlegging as Creative Practice music Zehn Jahre nach Lutz SchulenburgsOver the last few decades the term bootlegging has become understood as a creative act. The debates about homage, appropriation, and theft that are common in the art world are now being held in the sphere of corporate branding, social media, and the creative industry as a whole. Bootlegging has become fetishized as an aesthetic in and of itself, influencing everything from underground record labels to DIY T shirts, and from publishing ideologies to