khora variation 55 VINTAGE always starts from beyond oblivion

always starts from beyond oblivion

Eureka June 2014 Special Issue: The World of Hiroshi Yoshino” (Seidosha)

this work was a production experience in which the box was "waiting" for the next box

but I find Tomoko Yoneda's photographs more comfortable to look at on the pages of a book than on the white walls of a gallery or museum

Whether you're cooking in the kitchen or working on a carpenter's site

khora variation 55 VINTAGE always starts from beyond oblivionKhora (VARIATION 54) In Khora's series, the brush tip is first lightly touched to the paper with a very minute reverse movement called a "sawari." Starting with a reverse movement, the brush tip is placed down, then pulled back, and finally lifted up from the flat surface. This short brush movement is repeated. Takashi Hiraide Leaving the world of Japanese painting, Mizutsu Tatsuta is opening up his own world. You can see the original paintings of the