Fast, Fluid, Fragmented: Art and Design in the Digital Age exhibitions The publication is the first

The publication is the first more of two volumes (followed by )

It examines questions such as how did the woman sitting on the tubular-steel chair become the most famous anonymous figure from the Bauhaus

Adorable is a haunting

Spiritually anchored in New York City – even as they range out to rural corners of Quebec and Pennsylvania – these images crystallise tensions between city and country

inspires designers to create lightweight

Fast, Fluid, Fragmented: Art and Design in the Digital Age exhibitions The publication is the firstWhat does it mean to be a designer in the digital age? Images are no longer fixed, well defined artefacts. Instead, they are increasingly automatically generated, interactive, and fluid entities that are less directly the product of human handwork and more the result of complex machines, algorithms, and software. Marijke Goeting examines the nature and cultural effects of media and technologies that are crucial for the design of visual communication