In the Hands of the Enemy After Gettysburg 1863 vintage globe art rendered in the documentary hand

rendered in the documentary hand of an era still cataloguing what it had already overrun

Army and Navy Monument

this commemorative portrait belongs to the Lost Cause's long second act — Lee rendered not as defeated general but as marble saint

Alexander Hamilton and the Grange

John's Church in Richmond as colonial pulpit-theater — Henry mid-gesture before the Virginia Convention

In the Hands of the Enemy After Gettysburg 1863 vintage globe art rendered in the documentary handIn the Hands of the Enemy After Gettysburg 1863 a documentary engraving of Union wounded left behind on the Pennsylvania fields, their fate now bound to Confederate stretcher bearers and surgeons. The image carries the strange tenderness of enemies attending one another in the long aftermath of three days' carnage. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives,