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Chattanooga rail yards
Belongs in a tobacconist's shop
when the war had carved his face into something closer to scripture than likeness
where Winfield Scott's flanking maneuver around Santa Anna's batteries opened the road to Mexico City and rehearsed
Abraham Lincoln 19th Century 4 renders the wartime president in the somber idiom of nineteenth-century portraiture — the gaunt face that carried a fracturing republic
Henry Ward Beecher 1871 Frame Style:Ebony Frame Chattanooga rail yardsHenry Ward Beecher 1871 a portrait of the Brooklyn pulpit's most thunderous voice at the height of his postwar influence, rendered in the dignified register reserved for men who had preached abolition before it was safe and were now reaping the long applause of a reunited republic. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives, regional historical societies, and
