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Microphones eventually allowed Armstrong to begin recording electrically to disc and
Will You Still Be Mine
Co-produced by Meshell and guitarist Chris Bruce
the Bremen-Lausanne box set was voted #1: “This is the ne plus ultra of the solo live Jarrett concert in all its improvisational glory
Dreaming in Lions: The Deep
Sonny Stitt: Blows The Blues LP (Verve Acoustic Sounds Series) LP Microphones eventually allowed Armstrong toVerve, 1960 Sonny Stitt led a number of excellent record dates in 1959, especially at the end of the year when he produced three LPs for Verve over a span of three sessions with pianist Lou Levy, bassist Leroy Vinnegar and drummer Mel Lewis. Playing alto sax throughout this album, Stitt hardly sounds like a Charlie Parker clone, something that unfortunately was a frequent claim by tin eared critics throughout a fair portion of his career. The music
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