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I couldn't get there (no waders on that day)
sort of like opening a fresh box of crayons and staring at all of their glorious potential
When fall arrives in east Tennessee
I took that imagery and incorporated it into this piece
but I can always find a pleasant reprieve in The Great Smoky Mountains
Study, Light and Shadow Street I couldn't get there (noThe complexity of a New York City avenue breaks down into a harmony of primary reds, blues, and yellows during a winter morning. The tiny wedge of sunlight in the lower right corner of this composition was a catalyst for this motif. I just liked how it directs us into the cacophony of the city. >> This painting is the initial study for Light and Shadow, Big Apple.
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